I also like to try side-chaining noise, using vocoders, layering noise on various drum hits, etc. Not that I find one is better than the other but multiple modulated sources keep my ears/brain interested longer. I guess I like Satin for saturation mostly, most of my white noise tends to come from analog sources and field recordings. Its Hiss parameter can add some nice noise as well. I like to throw Satin on most tracks/groups and use its Group feature to control different instances at once. I know noise-filled tracks are not everybody’s cup of tea, but I love it (also, no coincidence that every room in my house has a white noise machine!). Yeah, it’s great fun and pretty much endless potential for experimentation.
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You won't get the same variety if you just browse through Sonne Images channel.I might just make a dedicated “white noise” track in Ableton full of this stuff being fed in to a filter and auto pan. This is way better than Youtube, because they fucked up their recommendation algorithm so horribly back then. I'm in a generous mood today, so I'll DM everyone who wants a huge ass list with blogspot sites I used to dig tons of vinyl rips from.
I think 9th Wonder and Kanye sample roughly the same music (or used to) but end up with totally different results, keep that in mind too. Remember, culture is not static, thanks to The Alchemist digging prog rock became normie over the years, you'll have to dig very deep or find a new, perhaps closely aligned genre if you want to sound refreshing. Well you should EQ sampled percussion generally, and especially if you layer drums.ĭigging: Depends on what you want. There are also alternative workflows like that Dr Dre producer on the Waves channel who talked about shaping a drum with transient designers, EQ etc. Layer them (I think Pete Rock made layering mainstream), in Abletons simpler you can drag and drop a Cell onto another while holding CMD/CTRL and they'll merge together.
Or Evidence on the Release Party DVD "You'll get a sterile piece of shit".įor drums: Not quantizing is the tradition, but you could cheat a lil and quantize with low % value. I remember Madlib complaining about his engineers like a motherfucker in an interview. My advice for workflow: Get an older MPD, MPD32 is killer bang for your buck on your local craigslist clone.įor mixing: Don't overmix, at all. Oh and the S-950 and S-1000 but their prices skyrocketed over the last decade. Go for 2000XL with CF card mod, or 60 MKII, the rest is probably not even worth it nowadays (or get an Sp303 that Dilla, Dibia$e etc. Another thing that ends up in almost every beat I make is the Vulf Compressor, it adds a beautiful overrall vibe for the track, it's like insta lofi and sounds really genuine.Ĭlick to expand.Yeah and it fucking sucks, never get that machine in case you saving up money. Now for plugins: one plugin that's been very helpful and cool to make basses is the OP-X PRO-II, looks weird but has a bunch of good presets and sounds super good.
I'll go first: I've been experimenting with sidechain using a special track just for a short midi signals aligned with actual kick samples, with that technique I've also been experimenting using sidechain in some places where there's actually no drums, I found that if you managed to discover the right places it creates a sweet grove by itself, it's so good! Be it a specific plugin that works really well for a specific task for someone, be it a mixing technique, a cool way of sequencing hats or sidechaining the kicks. The idea of this Thread is simply to be a place where we can exchange production tips about anything related to this kind of sound (from Nujabes, Dilla, Madlib to Knxwledge, Jinsang,etc). So I'm starting to dig some Lofi Hip-Hop and making some tracks already.
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